This formality may be seen as Shakespeare's mode of distinguishing and distancing the public from the private voice, the characters here speaking less as individuals and more as spokesmen for the contending parties and the arbitration of law, a role from which the Prince never escapes.
Sources AND structure. The general type of story represented by, romeo and Juliet has its roots in folklore and mythology. Best described as a separation-romance, it shows obvious analogies with the stories of Hero and Leander, Pyramus and Thisbe, Tristan and Isolde, and with later medieval works like. Floris and Blanchefleur and Chaucer's, troilus and Criseyde. 1 Chaucer's poem leaves its mark strongly on Shakespeare's principal source for the play, Arthur Brooke's. Romeus and Juliet, and, independently perhaps, on Shakespeare's play itself. After 1.4, with a firmly established series of expository scenes behind him, Shakespeare essentially follows Brooke's narrative order, with one significant exception. Whereas Brooke describes first the consummation of Romeo and Juliet's marriage (827-918 followed by the killing of Tybalt a month or two later, with the resulting sentence of banishment (949-1046 and then the lovers' last night together (1527-1728.
In the same way, Shakespeare introduces Paris in 1.2, even before Romeo first meets Juliet, in order to suggest the potential conflict of a rival suitor and to lay the grounds for Capulet's later ill-advised, if well-intentioned, insistence on Juliet's immediate marriage with him. Learn exactly what happened in this chapter, scene, or section of Romeo and. Juliet and what it means. Perfect for acing essays, tests, and quizzes, as well as for.